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September 15, 2022

Collaboration with Anthony Burrill

Anthony Burill and Partisan Press Gignoux Photos is collaborating with graphic artist Anthony Burrill, who has designed the striking titles for our RUSSIAN RUST BELT photobook.  Anthony used a wood block typeface from the collection of Partisan Press, Moscow. Partisan Press are a small print studio who make woodtype printed posters using type from an […]

September 1, 2022

Gignoux Photos at Fiebre Photobook Festival

Come and see Gignoux Photos at Fiebre in Madrid from September 23rd to 25th.  Fiebre is the first and only festival in Spain dedicated to the photobook. 

Collaboration with Jesuit Refugee Service

Since the beginning of this year, Gignoux Photos has been collaborating with JRS, the Jesuit Refugee Service, in Wapping to further develop our “You can see me, but I don’t exist” project exploring the effect of the asylum-seeking process in the UK on individuals.  

April 13, 2022

Talk and book signing at The Photographers’ Gallery

Alan Gignoux will be launching his new photobook Mountaintops to Moonscapes with a special talk and book signing event at The Photographer’s Gallery on May 5th. Alan will talk about his experiences making this body of work and a related photography series, Oil Sands, which looks at the bitumen mining industry in Alberta, Canada. Oil […]

January 7, 2022

Emily hand-binding Mountaintops to Moonscapes

Emily Macaulay of Stanley James press hand-bound each of the 100 books in the edition of Mountaintops to Moonscapes individually. Mountaintops to Moonscapes comprises a large format softcover book with slip-sleeve and a booklet (buy book here) In the larger book, Gignoux’s large scale aerial photographs reveal the transformation of a mountainous region of ancient […]

Shutterhub Postcards From Europe

We are delighted that Shutterhub has selected photographs from Alan’s project “You can see me, but I don’t exist” for their Postcards From Europe exhibition this year. Thank you, Shutterhub, for curating this exhibition and creating opportunities to show work. For this ongoing project, Alan has used a camera obscura to photograph refugees in locations […]

December 1, 2021

Mountaintops to Moonscapes Photobook Launch

Gignoux Photos announces the publication of Mountaintops to Moonscapes, a handmade photobook in which photographer Alan Gignoux documents the ruinous impact of mountaintop removal mining on the Appalachian region and its people. Described by environmentalists as “strip mining on steroids,” mountaintop removal mining uses explosives to take up to 800 feet off the top of […]

November 18, 2021

Considering Art Podcast

Thank you Bob Chaundy, who interviewed Alan Gignoux in November for his Considering Art podcast series. Alan and Bob talked about Alan’s career as a photojournalist and documentary photographer, discussing his early photographic work in South Africa and his photo-essays documenting Palestinian and Saharawi refugees, and moving on to his environmental projects, including the four […]

Bruised Lands Exhibition Highlights

31st October – 12th November, 2021 at Wasps The Briggait Our exhibition Bruised Lands was exhibited at Wasps the Briggait in Glasgow concurrent with the COP 26 conference on climate change. Alan Gignoux, and co-curators Chloe Juno and Jenny Christensson had an interesting week meeting and talking with visitors. Judging from the number of leaflets […]

September 17, 2021

Bruised Lands in Glasgow for COP 26

PHOTOGRAPHY EXHIBITION AT WASPS THE BRIGGAIT, GLASGOW 31st October – 12th November 2021 Bruised Lands brings together four unique yet interconnected bodies of work by documentary photographer Alan Gignoux: Oil Sands, Monuments, Appalachia, and Russian Rust Belt. Focusing on four locations across Canada, Europe, the US, and Russia, the photographic series document the harvesting of […]

March 26, 2021

Russian Rust Belt – New Photobook

Alan Gignoux visited the Urals industrial region in Russia in 2009 during a residency sponsored by the NCCA (National Centre for Contemporary Art).  Once the driving force behind the Soviet military-industrial complex, the Urals industrial region is now the Russian rustbelt, suffering from economic decline and severe environmental degradation.  Alan travelled throughout the region documenting […]

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ALAN GIGNOUX

Alan Gignoux, has been working as a professional documentary photographer since 2000, working as a stringer with photographic agencies such as Reuters and Associated Press, and independently. He also works as a cameraman on documentary film projects.

Alan has completed residencies with the NCAA in Russia, and The Rucka Centre in Cesis, Latvia. His award-winning work has been exhibited all over the world. Born in the United States, Alan now lives and works in London, England.

PRESS

October 7, 2024

Cary Benbow reviews Russian Rustbelt for F Stop

Thank you to Cary Benbow for his thoughtful review of Russian Rustbelt by Alan Gignoux and to F Stop for publishing it this month.  Russian Rustbelt is a photobook made by Gignouxphotos based on Alan Gignoux’s photographs of the Ural industrial region taken during a residency with the National Centre for Contemporary Art in Yekaterinberg […]

October 18, 2022

Rocks Remember

Thank you to Lewis Bush for reviewing Appalachia: From Mountaintops to Moonscapes for C4 Journal, alongside photographer Sibylle Eimermacher’s A Guide Through Hue (2021).  The review considers both books through the lens of geology, whose “controversial nature remains tied to events of a planetary scale, in the form of industries of natural resource extraction, and their consequences […]

April 27, 2022

Reviews by Douglas Stockdale, Photobook Journal and CAMERA

We would like to thank Douglas Stockdale and CAMERA for their thoughtful reviews of Mountaintops to Moonscapes. You can read Douglas’ review in the Photobook Journal here See below for CAMERA’s video review. Alan Gignoux will be launching Mountaintops to Moonscapes at the Photographers’ Gallery, at 6.30pm on May 5th. Learn more and book your […]

October 5, 2020

“Oil Sands is a sober book, an example of how straight documentary is using book arts to further its message…”

We are delighted that Alan’s Oil Sands book has been reviewed by Colin Pantall writing for Source.

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